A ceramic sculpture that plays with memory, glamour, and form. With a deep red gloss and voluptuous silhouette, it echoes the iconic curves of cinematic femininity: bold, composed, and knowingly exaggerated.
A front slit runs through the figure with unapologetic flair. There are no features, yet the stance and shine tell the story. This is not innocence - it’s self-aware seduction, a sequel that stands firmly on its own.
Jessica Too nods to its predecessor but doesn’t repeat her. It plays the same melody in a different key - refined, charged, and very much in control.
| Clay, Wheel Throwing, and Hand-Sculpting | 38 x 9.5 cm. | 2025